It needs to be local, be a collaboration between the sector and our communities and feed the local innovation that is already there. Background: It brings people, communities, groups and organisations together to co-develop better strategies for our places. Of our 600+ members, we estimate that as many as half will be self-employed or freelancers. The creative and cultural sector that is embedded in communities is under-represented across our national agencies and as such also lacking in engagement and relative collection of data in terms of their wider economic impact for our places and communities. 122 likes. but they could also be environmental projects or new social enterprises. 8 Castle St, Stranraer, DG9 0AG, Dumfries (The Stove Network) Thur 3rd Oct 2-4pm The Embers are truly one of the finest entertainment experiences of our lifetime. This 1950's service station converted to bar/eatery is the 2017 expansion of eMbers Venue. It uses Creative Industries and spans Community Development sectors contributing to long-term social outcomes for our communities. The Embers are a beach music legend! And don’t miss their Christmas shows – perfect to get you in the mood for the holiday season! Times such as this highlight the struggle in places that have had their local resource and ability to respond stripped in favour of centralised service provision. Katharine Wheeler of the Stove Curatorial Team and Lead Artist/Researcher for our Embers project, reflects on the role of ‘creative place-making’ in wake of the national lockdown. The latest from 417: The Clown’s Song! Leaving behind the more fragile part of the sector could cause irreparable socio-economic damage.” – p5 Oxford Economics Report – The projected economic impact of cvoid-19 on the UK Creative Industries 15.6.2020. We see an opportunity to devolve resource and power to local people by supporting creative freelancers and groups and organisations that are already working as part of their communities to develop locally responsive projects that can also take advantage of cross sector opportunity for long-term benefit. All of this expressed as seriously playful partnership with our community to support and grow a resilient, progressive and creative Dumfries and Galloway. – Pippa Coutts, Research and Development consultant for Carnegie Trust UK. It is claimed that those who are excluded represent just 5% of the self-employed workforce, earning on average £200k – this is very clearly not the experience of the more than 40% of Equity members who have not been able get support so far.” – Equity letter to Government. This field is for validation purposes and should be left unchanged. Enjoy our spacious meeting areas that come equipped with high quality seating accommodations, outdoor patio with wood oven and a fire pit. The Embers are an Australian roots-fusion band formed in Launceston in late 2005 by mainstays Michael Attard on acoustic guitar, lead vocals and harmonica; and Katy Humphries on saxophone, violin and backing vocals. The Stove has always been many things for many people – a café, an events space, a space to gather and take part in activity, to have conversations about our place, to challenge ideas and perceptions, to grow projects and activity together. They perform classical, jazz, folk, country and traditional Mexican music. The Embers have solidified their position as a thriving musical entity leaving their mark on listeners for decades. Our focus became the immediate and devastating impact on our local community of creative freelancers who are the pillars that hold up the region’s creative sector – small creative businesses, local projects, independent festivals and events across SW Scotland. They were awarded Military Coins of Excellence for their distinguished service. Web Hosting and Management by Channel Marker Media and 57 Marketing . The Embers subdivision is a luxury gated community located in North Mcallen. This paper develops a series of proposals for support and a long term vision through an understanding of the cultural sector that has been brought into sharp focus by COVID. Simply put – Heart and Soul, Rhythm and Blues, Feel Good Music. WANNA BE A V.I.P.? Through our work at The Stove we have seen the impact that can be had when the ground is made fertile and people are given the agency to develop and grow things locally. Excluded UK estimates that 3 million freelancers across sectors have been excluded from any support. There is always something going on at The Embers. Find out about new music, new merchandise and special offers! We have been approaching this twofold – by taking part in as many of those local, regional and national conversations as we have capacity for and actively working with our membership and creative community so that the grassroots of the sector can be as loud and visible as possible in shaping how we move forward. Instagram Facebook For booking information please contact firstname.lastname@example.org ©2021 The Embers. Kelsey and the Embers, Nottingham, United Kingdom. The Dying Embers. Log into Facebook to start sharing and connecting with your friends, family, and people you know. Our intention has not changed, this is an ethos and approach of Creative Placemaking. They played for school dances and parties making as much as sixty-dollars for all of their efforts on a good night. Culture and Creative Industries consultation – add your voice to the role the new South of Scotland Agency can take in supporting our creative sector. We need to share and recycle ALL support given – if we invest into spaces/buildings/large institutions for example, how can they then pay that forward to others in the sector and their surrounding community through resource, space, knowledge sharing, local expertise and procurement and be held accountable to that? Carry-out only until the governor's order is lifted. The Creative Industries play an important role in our towns, particularly at this time. It presents an in-depth investigation into the importance, impact and potential influence of Creative Placemaking for the local economy and wellbeing of communities in South of Scotland. As people pull together to face the collective challenges and strain at this time and without the usual noise of other ‘news’ it is the kindness, ingenuity and resilience of people that are centre stage. 1 talking about this. 10 were here. ... Connect with us on Facebook A common factor across many of these projects is the involvement and often leadership of creative people that are already embedded in their communities and collaborative activity with the arts, culture and creative industries. How we can build on existing networks in communities and cultural/creative sectors – overlaying and combining them to create a powerfully integrated regional field of shared resource, capacity, knowledge, skills and opportunity. They will put JOY in your step, LOVE in your heart and BEACH MUSIC in your soul! 嵐嵐嵐 White OWL - ILL Roc Records The Embers Tour. With the coming of the Borderlands Growth initiative and South of Scotland Enterprise, there’s an unprecedented opportunity for the South of Scotland to create genuinely bespoke development strategies, suited to its unique character. 2,233 likes. Web Hosting and Management by Channel Marker Media and 57 Marketing . Beneath The Embers. We have been talking with groups and organisations around the region about the culturally-led and creative work that is happening in communities across D&G and the great examples of place-making this has led to. We can see more than ever the generosity and value local people, groups and organisations invest in supporting their communities. “How can we, as a creative agency for change, make things slightly different here.”, – Lucy MacLeod, Creative Director for Outpost Arts, Langholm, The Embers report is available to download by here: Embers Report, For a Clear Text Version: Embers Report – Clear Text Version, If people have ideas about how this vision can be taken forward please do get in touch with Katharine by emailing email@example.com. Homegrown – addressing this new normal by proposing four values that will frame our work: Insight, Perseverance, Open-heartedness & Solidarity. Simply put – Heart and Soul, Rhythm and Blues, Feel Good Music. The freelancers in our community do not have a platform in national conversations on arts, culture and their economic impact and value, advocating for them as well as providing work opportunities and networking support became our way to act. Indie-pop/rock band from Nottingham. Specials. The Embers report presents a road map for integrating creative businesses into communities and the future inclusive economy of our area. It is vital that our region supports its creative sector, which has been such a success story in recent years. If this National Task Force was to get things started then the national agencies and funders could come in behind and help take things to the next level and, before you know it you have communities making their places, economies and health better.“, “The premise is simple – our Embers report has clearly shown the pivotal role played by creative practitioners and small creative organisations to initiate and maintain momentum in placemaking projects. We feature a special breakfast, lunch, and dinner item daily. The Station at Embers, Rensselaer, Indiana. Home, News, About, Music & Video, Tour, Embers Apparel, Beneath The Embers British Beers and Contact 673 likes. to justify a more holistic and creative approach to economic recovery that makes use of our community groups and organisations (Community Wealth Building, Carnegie Trust on Wellbeing, Wellbeing Economy, Anchor Organisations). Check out our full calendar of events here. This response comes from our experience as a community focused organisation in the High Street of Dumfries, ongoing discussion with the freelance creative community of Dumfries and Galloway, the small groups and businesses we work with and as many of the national discussions and emerging reports we can sanely be part of. At the Stove we will continue to advocate for the value of our smaller community-focused parts and use activity to test and develop ways of working that invest and support the creativity and innovation around us to grow our local resilience. We need urgent support for the freelance creative economy in Dumfries and Galloway in the form of a) paid work opportunities for freelancers, b) support for local arts infrastructure to effectively support freelancers and c) support for a network that can learn and share learning from this activity. They sang the famous "I Love Beach Music". Embers is all about FUN! The Embers have been Playing beach music around the Carolinas since 1958. Instagram Facebook For booking information please contact firstname.lastname@example.org ©2021 The Embers. We have the knowledge, we have the tools, we have the live projects that are working and the historical examples of what activities and investments are impactful in a deeper, wider sense of economic resilience and wellbeing, now is the time to stop pitching our systems to big business and outdated ideas of ‘growth’ as a measure of societal success. Embers is all about FUN! They have traveled the country and the world and has performed for every event imaginable from the highest dignitaries to the hottest back yard frat parties. The Embers DVD McBryde Films presents, The Embers, featuring Craig Woolard: The Heart And Soul Of Beach Music. “What if we were to pay out of work people in the Creative and Community sectors a fair wage to work in their local communities to start new projects (or build on things started in lockdown) – these could be cultural projects like choirs, writer’s groups etc. Having been inducted into the South Carolina Rhythm and Blues Hall of Fame and the South Carolina Beach Music Hall of Fame, The Embers are honored to carry the moniker of North Carolina’s Official Ambassadors of Music. adam russell hannah daugherty glen yoder sam crabtree kevin durham matt nall tasha nall kendal harden Where will we go from here? Small businesses re-organise themselves to take food to our most vulnerable (often without payment), neighbours leave groceries on the doorsteps of those they barely know, people pledge all manner of support and money to those they have never met, we share creative ideas to keep us busy and explore ways of connecting when we cannot physically meet. – Katharine Wheeler, Curatorial Team Member and lead on the Embers report. The Embers consider the genre of Beach Music as “music with a memory” and have been creating lasting memories since its inception in 1958. We strive to be for, and of, our community and have been asking ourselves “How do we reposition our work at this time?” as a creative community-led organisation that uses creative practice at the heart of what it does. Atlas Pandemica is a new project, like Homegrown, specifically developed in response to COVID, it commissions artists to gather and react to stories of the pandemic’s impact on often unheard voices in our communities and develop creative visioning for going forward into a more socially inclusive future. Country Rock Band based in Derbyshire Please contact Katharine for more information email@example.com, Charity Number: SC044947 | Company Number: SC411667. Copeland, who is Black, taped the incident once the police officer arrived and broadcast it via Facebook live. Web Hosting and Management by Channel Marker Media and 57 Marketing . Enjoy, and get in the van. Creative Placemaking should be at the heart of this through the way that communities are coming together to develop new social enterprises and place-based projects. Today, touring is commonplace for The Embers regularly boasting an … Come to their show and they will put JOY in your step, LOVE in your heart and BEACH MUSIC in your soul! We have a vision of joining up networks across D+G in a way that stays true to the grassroots ethos we all started with. The Embers consider the genre of Beach Music as “music with a memory” and have been creating lasting memories since its inception in 1958. Fundamentally we need a grassroots and sector-led approach led by the people who make creative work and the local communities it should benefit and be a part of, Young emerging and those not registered as self-employed, in our program – as we explore new ways to grow activity that engages local people in reflection and co-development of work and. We believe support needs to align towards a clear VISION that can be shaped by the changing needs of the sector and is representative of the wide variety of work this includes – notably the less heard voices of creative freelancers, voluntary and community-led groups and organisations. Take a look. 1. We are not focusing on a delivery model but on how we can strengthen the pathways between the work we ALL currently do. Group Workshops For example, the idea of a National Arts Force needs all of us in culture to come together and work with other bodies to shape a plan that can make this happen…only we the creative practitioners on the ground know how this could work…we must take our place at the discussion table for the sake of everyone who works in our sector and for society at large.” – https://thestove.org/creativity-and-community-as-part-of-the-national-recovery/. Embers involved six months detailed consultation with people and projects working in local communities including Dumfries, Sanquhar, Lockerbie, Langholm, Moniaive, Stranraer and Wigtown. Response to the Culture, Tourism, Europe and External Affairs Committee on the current Covid-19 crisis on our sectors, Report by the Advisory Group on Economic Recovery, https://thestove.org/creativity-and-community-as-part-of-the-national-recovery/, Creative Placemaking – a local phenomena in the South of Scotland, Creative Repositioning for the New Normal, We need devolved local delivery of support that takes into account the monumental variety of work and structures that produce and deliver it within our sector at a grassroots level, We need a long-term VISION that embraces innovations in how we value cultural and creative work – wider social benefit, place-based initiatives and community wealth building, localised power and delivery, We need to talk about what we have missed, not just what we have done, and be clear on who has not been heard or supported. 8,716 were here. We need to be honest about the “real” long-term impact of support, who will not benefit and why. ” Performers and other creative practitioners like me earn on average £10k a year and do not fit within the Chancellor’s characterisation of those left out of the SEISS. Folk Rock n Roll with a pinch of Disaster Don’t Forget the Self-Employed – talking about our responsibility to the region’s cultural, creative and community sectors. Restaurant Menus. Check out our upcoming specials here. Today, touring is commonplace for The Embers regularly boasting an average of 225 shows per year. that they will then shape part of their programme specifically to support this area of work by creating a genuinely bespoke way of working that strengthens what we have all started independently. The Embers were also honored to travel throughout South Korea to perform their Christmas special ‘Christmas with the Embers’ on American Military bases for America’s troops in December of 2007 and 2008. Carnegie Trust UK’s recently published (1st July 2020) “Conversations with Communities” initial findings state it brilliantly, “The COVID-19 emergency has let us see what only the state can do – set up hospitals; fund research into a vaccine; shift resources to the front line – and what only communities can do – mobilise and respond quickly by building on existing relationships; pool collective resources; think creatively about what assets are available.”, “While the Government is able to float ideas for action, these can only become a reality through collaboration with the arts and creative sector. The Stove’s recent Embers report, April 2020, highlighted the necessity of supporting community-led, localised action and the lack of understanding of the value of this work to healthy economies. Woodfire Artisan Pizza served with love to enjoy with your neighbors, family & friends. We see it as part of our role in the region to advocate for those working in the creative sector in D+G but there is strength in numbers so we strongly encourage others to send in responses so that as many voices can be heard as possible – link here. The grants for self-employed creatives were welcome but they do little to consider and understand the expense needed to continue to work as a freelance worker in our industry (support for three months of living/work expenses in Scotland coming out lower than the UK average of £2900, under £1000 a month) SEISS Statistics. The Embers are widely considered a musical MARVEL and have laid the groundwork for what has become known as ‘Beach Music’ in the Carolinas, Virginias, the gulf coast region of North America and every beach in between. 2.5K likes. There are currently more people working in the Creative Industries in the South of Scotland than there are in agriculture, yet many of the people working in this industry are freelance and self-employed and the COVID-19 crisis has taken a terrible toll on these important local businesses. They disbanded in 2008 and reformed in 2011, they released their debut studio album, Bright, in March 2015. We are now running a series of Group Workshops to explore the Emerging Themes from these conversations and what support for this work might look like – please see details below and sign up if you would like to join in with these sessions. The Embers Biography: In 1958, a couple of enterprising high school boys in Raleigh, North Carolina answered the Soviet challenge of Sputnick by forming a band called The Satellites. “We hope to continue to support Embers to strengthen local government collaboration with community groups and local enterprise, to enable communities to improve their own wellbeing according to local priorities.”. Embers presents Creative Placemaking as a collaborative practice that uses the tools of arts, culture and creativity to work as part of our communities, responding to local needs to build a better quality of place. EMBERS report aims to ignite creative and culturally-led regeneration by exploring the work and experience in Dumfries & Galloway and helping to define a joined-up vision for work in Creative Placemaking for the South of Scotland. The Embers. Effective Creative Placemaking engages communities at grassroots level, building on the existing culture, activity and relationships in each place. Ideas don’t always work but when they do they are making a real difference in people’s lives.”. The Embers. For our small acts of solidarity and creativity see our Homegrown Blog. 874 likes. Response submitted on the 17.8.2020. Take a look. The Embers report puts forward a series of clear recommendations which contributors hope will be taken forward by regional and national agencies operating in the South of Scotland. Instagram Facebook For booking information please contact firstname.lastname@example.org ©2021 The Embers. We have taken time to think and are exploring two directions: Through this we hope to support the building of a collective awareness and narrative of the ‘new normal’, one which helps the transition into the next stage of this new journey we are all on together. 1 talking about this. A major report into Creative Placemaking by The Stove Network has recently been released. Langholm (Outpost Arts) Wed 18th Sept 3-5pm They also embark on a cruise each year for their friends and fans to various locations throughout the Caribbean. Our building and community is a non-residential and transient community. Embers report – to go live in a few weeks this report explores some of the fantastic work in our communities and proposes more considered understanding and support for Creative Placemaking work for the South of Scotland. Rm2 (upstairs) 100 High Street, Dumfries, DG1 2BJ, We are delighted to be working with Issy Petrie, Policy and Development Officer at Carnegie UK Trust on this. We are seeing the value of our collective creativity to shape and adjust systems and support appropriate to our local need. The answer was that Oak & Embers was calling the Orange police department. 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