It’s the smallest, lightest, and most low light sensitive lens that still has IS - we highly recommend it. But first, let's talk a little bit about documentary video production, and why the tools you choose are so important to the job. It is the equivalent of filmmaking , but with images recorded electronically either in analog form on video tape or digitally in video tape or as computer files stored on optical discs, hard drives, SSDs, magnetic tape or memory cards instead of on film stock . Get one for every tripod, monopod, gimbal, slider, or anything that the camera may go on. This camera is the real deal for solo shooting; it works very well with gimbal systems (especially when you’re using the auto-focus). Clipping your camera in and out will be a breeze. They make a multitude of adapters to convert different lenses to whatever lens mount your camera has, and they will increase your aperture range, making you more capable in low-light situations. Unfortunately, it's recently been discontinued. You can produce some pro-level content with this camera, and if you ever feel like you have outgrown its functionality, you can upgrade and hang onto the a6500 as a B-cam. You can power them with AC or batteries. We've used the Atomos Ninja Blade on countless interviews, and it's really nice to have. The camera is only as good as the lens you use, and that choice can really change the look and feel of your end product. How to Choose the Right Video Equipment and Tools | Vidyard From camera packages based around the Blackmagic Production Camera and Cinema Camera, to specialty items, including cranes, dollies, jibs and the DJI Ronin, we are fully equipped to shoot your commercial, short or feature film. FEELWORLD FW759 7 inch DSLR Camera Field Monitor LCD IPS HD 4K HDMI Video Assist We have used three Canon C100 for a few years now, on shoots all over the country, creating stunning looking docs for web series, universities and nonprofit organizations, and big name clients. You may want to add your own voice narration, or place helpful text on the screen, to guide the story forward. Heartland Video Systems believes in providing the best new and used audio and video equipment and services catered to your unique needs. The main reason for picking up a C300 over a C100 is that the codec meets certain broadcast standards. 5K RED Gemini DSMC2 Camera Package. Get more than you need - trust us, you'll use these on everything. A camera that records video is the main piece of equipment you need for live-action video production. Remember to take a look at your university’s equipment lending program to try and cut costs. Video For our corporate video production bag, we’ll go with a more traditional 1x1 and diffusion setup. It won’t function as your main camera, but it could definitely come in handy for some really creative B-roll. In this article, almost every piece of gear we discuss is chosen and optimized for portability and efficiency, in order to capture the greatest amount of footage in the least amount of time, while also pushing for cinematic visuals and high quality audio. And because docs are about real people, with real schedules and planned activities, messing with the wrong gear will have real consequences on your ability to shoot a decent amount of footage, while also building rapport with your subject. With your camera and lenses safe in our backpack, we carry a secondary bag for the variety of other gear and accessories. But it doesn’t have a permanent place in our documentary filmmaking equipment kit, so often it sits on the shelf until a special need arises. There is good quality video gear available to you at all levels. video production equipment In order to complete the assignments for Video Production courses, you must have access to some professional video production and post-production equipment. It features built-in five-axis stabilization and continuous auto focus, and it comes in at about $1,998. Two of the 672S lights together are brighter than one Light Storm LS1S, at 1/5th the weight, less cost, and they use cheap Sony NP batteries for long lasting output. Viele übersetzte Beispielsätze mit "video production equipment" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. Sure, it's great for specialty macro shots of tiny objects or closeups on anything in general, but we've found it's actually a workhorse lens for all-around interviews and all-around B-roll shooting, even handheld. I like to have one of these cameras in my kit for unforeseen circumstances. It’s extremely portable and has a tube shape remeniscent of a light saber. For reality TV and feature length documentary work, the original Canon C300 has been the most popular camera in recent history. A lack of both footage and rapport can seriously impact your ability to make a good video, which then affects your chances of getting hired for the next gig. For journalists who are less concerned with achieving cinematic visual quality, but still want something that is ergonomically similar to a DSLR, the XC15 delivers. (Also, if you decide to purchase the BMPCC4K, the lens mount is micro four-thirds, and these lenses have MFT options, so you can attach the lens directly to the Blackmagic without an adapter.). See why connect2 is the fastest-growing checkout, scheduling and reservation software for university resources – get a no-obligation demo today. The Canon 18-135mm, even though it’s a “kit lens” and is often looked down upon by professionals, is honestly quite good. But you won’t find them as frequently on doc shoots as you will the Audio-Technica AT4053B. Where does it fit in? This camera does use a micro four-thirds lens mount, so purchasing a lens adapter might be necessary to utilize specific lenses. That about does it! It’s great for action scenes, it creates a fantastic time-lapse, and it takes up minimal space. The best part about the Amaran 672W, other than it’s very cheap and extremely portable, is that in a pinch, it can also serve as your key light both indoors or in cloudy daylight, without diffusion. Before you can even think about putting together a video system that best suits the level of production you want to achieve, you need to know what those levels are. Adorama has the best video equipment for your needs, from compact camcorders, 360 cameras, and post-production hardware to professional monitors and durable bags and cases for your equipment and accessories. We use a SOG knife with all the bells and whistles, and we make sure to check it in our luggage when we fly.​. When you shop for your first video lights, you probably assume that the more light output you can afford to purchase, the better off you’ll be. Most simply, you’re video recording someone telling a true story, and then through the process of filmmaking and editing, you’re creating a shorter, more interesting version of that story. Alternatively, the Benro S4 does a good job paired with the C100 (but without much else on it). As for monopods, which we use for 90% of our B-roll shooting (rather than a shoulder rig), we recommend the Manfrotto MVM500A. If you’re using an external recorder, use your camera for scratch audio to simplify syncing in post-production. This camera is stabilized, shoots in 4K, can handle 1080p footage at 120fps, and is overall extremely solid for a mirrorless camera. So as soon as your subject stands in place, you have only a few minutes to get everything dialed in before they start to wonder if you even know what you’re doing. (Check out our in-depth article on Aputure Amaran and Light Storm lights). We place the mic in a popular microphone shock mount, on the shortest boom pole we could find (to fit in our carry-on luggage), the K-Tek KE-79CC with an internal coiled XLR cable, which then goes on the smallest grip head we could find, the Matthews Minigrip Head, and on this solid boom pole holder. Click to shop… In business since 1984, our focus is mainly on buying, selling and trading used video Markertek offers the best Pro-Video Solutions in the business. You can also get a consumer camcorder, but even if you buy the best camcorder money can buy, the results will still look like a camcorder. In our corporate video guide, we recommend the Aputure Light Storm LS1S for your outdoor key light, but it is very heavy, bulky, and can be spendy with the added battery cost. To be honest, it's not an easy answer. It’s the first lens I recommend you buy — honestly, I don’t see it leaving my kit for a long time. You’re imagining the story, visuals, and emotional response of the audience, long before you pick up a camera. We'll be happy to give you a personalized demo. ​If you shoot with a smaller camera like the Canon XC10/XC15, or a DSLR or mirrorless camera, the Pilotfly H2 is a very easy to use gimbal with a long battery life. While many people will want to know which camera you used on your project, your production peers will be asking about the lenses. Most pro video fluid heads are made for bowl-mount tripods, rather than flat head photo tripods. So while on a shoot, you can quickly throw stuff into the Dr. Meike 12mm T2.2 Manual Focus Wide Angle Cinema Lens, To round out the lenses, I feel that going wider will actually get you more use. Some doc shooters keep long range shotguns and parabolic microphones in their filmmaking equipment kits. The Aputure 300D is a game changer for outdoor interviews and we recently used it for over a year and wrote review of the Aputure 300D. Ronin 2 (R2) Gimbal Camera Rig. So that’s everything. And finally, the Manfrotto 394 Quick Release system is absolutely essential to shooting on the go. The Canon 17-55mm feels more plasticky (it’s not an L lens - or “Luxury Lens” like the 24-105mm), and the focus ring is hard to get used to, since it turns in the opposite direction of all other Canon lenses. Imagine a continuum of equipment from left to right. It's a huge time savor! Send us an email and we may publish it on this site. Yeah, of course it would be great if clients would hire us based on our creative experience and reputation for good work, but how do you get there in the first place? The truth is, we make a living from our filmmaking equipment. Comparatively, to achieve a similar zoom range on the C100, you would need to carry a normal lens and a telephoto lens, in addition to a telephoto extender.​, If you want to dive deeper into this camera, we posted a long review about the Canon XC10 and XC15, and we also wrote a short review in this post for Newsshooter.​. As a bonus, it works perfectly with the Canon 1.4x extender when we need super telephoto or closeups. I know it can get expensive when you add it all up, which is why it’s so important to build your kit as you go. On the other hand, with documentary, you’re capturing as much footage as you can up front, the vast majority of which will not end up in the final video. So here’s how we break down our two recommended setups: are you shooting your interviews primarily indoors or outdoors? We’ve had a number of them over the years, but the most recent version of the Cinevate Duzi (with the Fly Wheel) is hands down the best slider we’ve ever used. What about the C200? The 35mm f/2 IS and 100mm f/2.8 IS are the only two prime lenses we use in our documentary kit right now. For example, on a solo shoot, you may only bring an Ice Light and one light stand, a lav mic rather than a boom kit (with another light stand), and maybe you’d skip the slider. The original model, the 561BHDV-1, set the standard for video monopods, and the current model is just as good or better. Console Design and Fabrication - Video Production Consoles and Equipment Cabinetry. We know, we’ve done it many times! If you are a video production student or professional, knowing how to build a quality kit is a core skill in itself. About Lorensbergs and Connect2: Equipment checkout software Connect2 from Lorensbergs supports equipment lending programs in colleges and universities worldwide. You interview one or more subjects and edit their responses - or A-roll - into an engaging story. We always bring a Rode Videomic Pro with us, because you never know when you may need to break down your C100 for ultralight shooting. Because the C100 mark II has a few important improvements that justify the price increase, including a much better EVF - or Electric View Finder, an internal microphone, better color handling and codecs, slow motion shooting, and a better LCD flip-out screen. Here’s a link to a longer review of the Duzi V4. The problem is, many of us have not been at it since the dawn of time. Now that you have the gear, how do you get the work? Over 100 institutions use Connect2 to showcase, schedule and track their resources. We'll be happy to give you a personalized demo. A comprehensive list of Video Production Equipment on AV-iQ. Welcome to Videopro, we're the audio visual experts. These are the headphones I’m using right now. Most Video Production Equipment are eligible for free shipping. You can still fit everything you need in a backpack and a carry bag for your tripod, monopod, and other accessories. You may want to get extra batteries for your Ice Light 2, as well as a handy Tungsten gel that clips into the Ice Light. It does take more time and effort, more accessories, and a lot more investment to be able to shoot with it, but the C300 Mark II is worth it for slower paced corporate shoots. If you have to shoot an outdoor interview, there are many shotgun mics you can choose from that will ​do a similar job. It's only got a one-handed mode currently, but a two handle accessory is on the way. They’re comfortable on long days, and the quality is exceptional. Ask any rental house in LA. No matter how amazing this work is. And of course, never leave home without a multitool. Which is important for us especially because hey, we’re the Digital Filmmaker crew. Stay tuned for a replacement recommendation. ​We're testing out the new COB LED Fresnels for high output through diffusion scrims, and right now our favorite is the Aputure COB 120D for indoor lighting. In the back section is a Tom Bihn Lens IO - a neoprene lens bag that can also be carried on its own. It’s half the weight and price of the f/2.8 version, and you won’t miss that extra stop. Here are some of the highlights of what today's video production equipment can offer: GPS Locator Need to know exactly where you captured that amazing wilderness shot? One caveat with the Aputure Amaran lights is that they are not rugged. Here is a list of the basic video production equipment you will need to start your YouTube channel: Camera; Microphone; Tripod or Gimbal Stabilizer; Lighting; Video Editing Software; 1. Audio Visual & Video Production Equipment Rentals Admin May 22, 2019 November 9, 2020. InfinitySet combines the power of the Brainstorm render engine with an easy-to-use interface to create a new environment for next-generation cross-media broadcast requirements. Once you have done that, simply use this guide as a framework for building out your video production equipment kit list. We’ve all been there, cursing the little piece of gear that is just. It goes back to the portability/quality continuum from earlier in this article. And then of course you could keep moving down the line, and get a bigger and better cinema camera, maybe one that shoots in ultra 4k, 6k, or 8k resolution. Unsubscribe at any time, © Copyright 2021 Lorensbergs Ltd Video Production Equipment Video Production Equipment Litufoto Dimmable 3200K-5600K RA 96 Portable LED Studio Fill Light Video Production Equipment. CAMERA PACKAGES. And then you shoot a series of non-interview footage - or B-roll - of the subject performing an action, along with simple cutaways of objects and nature to use as inserts.​. At the first level is the casual video shooter. The Canon C300 Mark II has taken an even bigger leap, with a 4k image that rivals the best cinema cameras out there today, including the cream of the crop Arri cameras. Below, you'll get our thoroughly tested documentary filmmaking equipment list that is the cornerstone of contemporary videography. Just handheld run and gun and get the shots, fellas. Our camera, lenses, tripod heads, and various other items are wrapped in Domke or Tenba Wraps - which are neoprene with velcro on the corners. If you want to go with a traditional video tripod with a bowl mount, we really love the Miller Air Carbon Tripod system (see our article on the Miller Air Tripod). Along with ​a few clamps, you may also want an accessory mount that has 1/4"-20 male or female threads on each side, allowing you to attach monitors, lights, and microphones to various stands or cheese plates. But for a good enough fluid head, we use the Manfrotto MVH500AH. Video Production Equipment - Ultra HD Red Epic Dragon camera, Panasonic GH5 Ultra HD Cameras, Sony PXW-FS5 4K XDCAM cameras, Grip Truck, DJI Ronin, Slider That's the Law of Diminishing Returns. Sometimes, you’ll be able to run your audio straight into your camera, but capturing high-quality audio to a secondary source will usually be part of your production process. We know the feeling. We are working filmmakers, not armchair bloggers. Lens mounts, dynamic range, size, workflow, sensor size, codec, output options, ISO sensitivity, and even autofocus can all factor into your final camera choice. The camera is usually the most expensive piece of video production equipment in your kit, and it’s often the hardest decision to make. Since we’re talking about putting together your first production kit, I’ve selected cameras that came in under $2,000. These have become increasingly popular lately, and this specific model is a great addition to your kit. They feature a digital display; they’re dimmable; and they include barn doors, stands, and a traveling case. Although the C100 has dual slot auto record - so both your SD cards can record at the same time, ensuring you always have a backup - you may want an external monitor/recorder for interviews. Or if you’re lucky enough to find one on Amazon, the Varavon 815, in our opinion, is the smoothest fluid head for under $200. The IS is very noisy, however, so don't expect to use it in very quiet scenes - it's loud enough to dominate the on-camera microphone recording. Your documentary shoot can be ruined by the wrong gear. We are an authorized dealer for many top brands of professional Video equipment for a variety of production facilities. Compared to most 1x1 LED lights, its output is not nearly as bright, but the Ice Light 2 does not need any diffusion. This full-frame mirrorless 4K digital camera features a smaller, more traditional camera body style, it has an articulating screen (although it’s rather tiny), and it functions well at high ISOs. The manual focus control is terrible, and the plastic feel is not very comforting, and it’s also variable aperture from wide to tight. Download the free video And so the professional veteran who has been at this for 25 years will tell you to rent your gear, rather than save up to buy video equipment. If you’re studying a related subject at college, be sure to check out their equipment lending program to keep your production costs down. But new lighting products are coming out fast and there are potential new solutions for documentary shooters that will replace the lights in our gear bags. The newer Canon XC15, however, comes standard with an XLR preamp that goes on the cold shoe. And why do we recommend specific filmmaking equipment for the various types of documentary video productions? I find this lens to be durable, and it’s rather small, so it won’t take up too much space in your kit. But if you shoot any kind of B-roll with your tripod, the Miller Air is perfect for documentary shooters. For our boom kit, we use the Audio-Technica AT4053B hypercardioid condenser microphone for all our indoor interviews. 10 Pieces (Min Order) 1 YRS Shenzhen Lineng Technology Co., Ltd. 5.0 (1) … RED DSMC2 CINEMA CAMERA SERIES. But it’s a couple stops of light slower than the Tokina, so it’s not the best for dark or semi-dark interiors. For most people shooting documentary or doc-style videos, however, the Canon C100 remains our top pick. The choices you face when building out your equipment kit can be overwhelming, so we put together this list to help you sort everything out and get started building a kit of your own. So be smart and use a hypercardioid small diaphragm condenser for your indoor interviews. Stay tuned for a replacement recommendation. But they're still very much worth getting even if you have to replace them in a couple years. Here's a post on how we modified our Letus Helix Jr. to work even better with the C100. We also use the Portabrace DV4 bag for this same use. Finally, pick up a hard shell case or a travel backpack like this one from Neewer to safely store and transport all of your gear, I highly suggest seeking out something with protection against rain or dust. For our corporate video production bag, we’ll go with a more traditional 1x1 and diffusion setup. Typically we’ll just clip the MKE-2 to the outside of a subject’s clothing, and frame the mic out of the shot. Fill Lights, Rim or Edge Lights, and Lighting a Background Once you have your key light setup, you’ll need another light to either fill the other side of your subject’s face if necessary, or to separate their head from the background with a rim or edge light. The C100, on the other hand, has the XLR inputs you need, the sensor outputs a beautiful image in very low light, the camera has a very innovative autofocus feature that is a godsend for documentary shooting, and it can accept all of Canon’s photo lenses, some of which are very affordable. The quick release plate that continues to come loose, so every few minutes you have to stop what you’re doing and tighten the screw again. For me, this is a must-have. And when you buy it new, it even includes a key to Davinci Resolve Studio ($299 value) so you can color grade and edit all of your footage. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. Both lights are Bi-color LEDs with a range of 2300k-6800k. Camera. But if you’re a one man band, you may have to pare down the kit to just the essentials for the shoot you’re on. We have had the opportunity to use (and own) many other cameras, including DSLRs, various Sony and Panasonic cinema cameras, and we even own the Canon C300 mark II (which we recommend for corporate video production). Finally, we very recently added the Canon 100mm f/2.8 Macro IS to our everyday documentary kit​. The solution that we’ve come up with is to find a happy medium along the continuum. If interviews are your specialty, this is a great option for you. Your outdoor shotgun will only work indoors in the most controlled settings, but most of the time it will just result in room echo. It’s a lot simpler to use than other undercovers. But the style and quality of footage you’re aiming to capture - that can mean the difference between shooting with an iPhone, making a documentary with a DSLR, upgrading to a more expensive cinema camera, or shooting with a large crew on cameras that cost more than your house. Drone - ​Although we almost always bring a drone to commercial shoots, we would have never considered adding one to our everyday documentary kit. It’s great for manipulating sunlight, or in a studio setting where you can set it up out of frame opposite your light source to act as a fill. Finally, you lay these B-roll clips over the A-roll, ideally into sequences that help the viewer understand the who, what, where, when and why. In fact, we're so smitten by them, we recently shot a whole short doc with just those two lenses, and wrote a long piece on prime lenses for video. We’ve shot over 100 documentaries for PBS national and regional stations, including the original web series "Indie Alaska." They have all the advantages of a digital camcorder, but with a beautiful look that you’d expect from a traditional film camera with cinema lenses. The Westcott Ice Light 2 is light enough to be hung from rafters, or placed on a countertop, or if your subject wears eyeglasses, you can rotate the Ice Light to sit horizontally above their face and avoid those annoying glare reflections. To the portability/quality continuum from earlier in this article you get hired for your first production kit popular,. Over 10 Emmy awards and have won two Emmys for work that we on... This site to keep our camera and lenses safe in our documentary right! Our telephoto lens, we often use the largest size available - 19 '' or -! Some, but for whatever reason it works perfectly with the G3 kit that are quite for! 'S only got a couple super cheap manufactured versions instead you need - trust us, you 'll our... Out will be a huge pain to put together affordable, must-have when you ’ ll go a! 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